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With the release of the fantastic new FUJIFILM GFX100 II, we knew we wanted to develop a camera system that would harness the full potential of this wonderful camera. It has one of the largest available sensors for cinematography approaching the size of the rental-only Alexa 65.

We modified the camera, and designed a new housing that completely integrates the camera, RAW Recorder, video/power distribution, cooling system, as well as a cage, handle/EVF, and baseplate systems ready for the demands of professional sets. We wanted to remove the mess of cables, rods, adapters, and messy builds that come with using compact mirrorless cameras. In short, we wanted you to pull the camera out of the case, attached to a battery and a lens, and you are ready to shoot.

Why make the GFX100 II bigger? It's already a capable, compact camera ready to shoot professional video, especially when paired with a RAW recorder. What we wanted is the full size, “studio” version of the camera with more functionality. Now you can go into the field with a OFG Customs 65 as A-Cam, and take a couple standard GFX100 II as your B and C-Cams, and they will all give you the same gorgeous images, but in different form factors for different needs. The 65 is on sticks, a dolly, crane, or handheld, while the stripped down GFX100 II can be on a gimbal, car mount, or even crash cam. And they will all be giving post production the same look, and the same codec, making both set and post production easier. 

The 65 has so much power distribution. On the front is a 2-Pin LEMO for your EVF or monitor, and a 3-Pin Fischer for your ARRI CForce RF Motor. On the back are more 2-Pin, 3-Pin, and D-Tap ports to power all your accessories. The camera has such a low power draw, you can power the camera and all on-board accessories off a single 90 wh or 150 wh 14v battery. There are mounting plates on all side of the camera, so builds and cable runs can be very clean.

Using the ARRI BUD-1, we can utilize ARRI’s amazing shoulder rigs, and stabilizer plates. You can easily balance the camera, or swap plates without needed tools, and you have 15mm LWS, 19mm studio, a comfortable shoulder pad, and it clamps onto ARRI standard dovetail plates, and you can quickly go from sticks, to handheld, to steadicam.

The top handle system can be compact or extended, and we can add right angle sections if needed. We provide an EVF, and you can add any other monitoring options you desire. We have a very familiar EVF bracelet, allowing you to place the EVF exactly where you want it. The camera is very balanced, and very comfortable on the shoulder.

Working with LUTs? No problem. We provide several FUJIFILM LUTs, and you can upload any LUT you want, for video monitoring.

SAMPLE VIDEOS